{"version":"1.0","provider_name":"tULEctura","provider_url":"https:\/\/bibliotecas.unileon.es\/tULEctura","author_name":"tULEctura","author_url":"https:\/\/bibliotecas.unileon.es\/tULEctura\/author\/buua1\/","title":"Carlos Pardo: El g\u00e9nero (literario) en disputa - tULEctura","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xTt2qFuqQl\"><a href=\"https:\/\/bibliotecas.unileon.es\/tULEctura\/2013\/10\/24\/carlos-pardo-el-genero-literario-en-disputa\/\">Carlos Pardo: El g\u00e9nero (literario) en disputa<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/bibliotecas.unileon.es\/tULEctura\/2013\/10\/24\/carlos-pardo-el-genero-literario-en-disputa\/embed\/#?secret=xTt2qFuqQl\" width=\"600\" height=\"338\" title=\"\u00abCarlos Pardo: El g\u00e9nero (literario) en disputa\u00bb \u2014 tULEctura\" data-secret=\"xTt2qFuqQl\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"\u201cHoy la novela est\u00e1 pasando de la idea de verosimilitud a la idea de veracidad. Y la idea de veracidad es muy compleja porque nos acabamos dando cuenta de que construimos la realidad con ficci\u00f3n\u201d Partiendo de su t\u00edtulo (que remite al c\u00e9lebre libro\u00a0El g\u00e9nero en disputa. El feminismo y la subversi\u00f3n de la identidad, [&hellip;]","thumbnail_url":"https:\/\/bibliotecas.unileon.es\/tULEctura\/files\/2013\/11\/carlos-pardo-e1382613386469.jpg","thumbnail_width":200,"thumbnail_height":304}