{"version":"1.0","provider_name":"tULEctura","provider_url":"https:\/\/bibliotecas.unileon.es\/tULEctura","author_name":"tULEctura","author_url":"https:\/\/bibliotecas.unileon.es\/tULEctura\/author\/buua1\/","title":"\"El peligro de la historia \u00fanica\" y \"Todos deber\u00edamos ser feministas\", de Chimamanda Ngozi Adichie. Gu\u00eda a la lectura - tULEctura","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BFCDw94wG8\"><a href=\"https:\/\/bibliotecas.unileon.es\/tULEctura\/2019\/02\/19\/historia-unica-feministas-chimamanda\/\">\u00abEl peligro de la historia \u00fanica\u00bb y \u00abTodos deber\u00edamos ser feministas\u00bb, de Chimamanda Ngozi Adichie. Gu\u00eda a la lectura<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/bibliotecas.unileon.es\/tULEctura\/2019\/02\/19\/historia-unica-feministas-chimamanda\/embed\/#?secret=BFCDw94wG8\" width=\"600\" height=\"338\" title=\"\u00ab\u00abEl peligro de la historia \u00fanica\u00bb y \u00abTodos deber\u00edamos ser feministas\u00bb, de Chimamanda Ngozi Adichie. Gu\u00eda a la lectura\u00bb \u2014 tULEctura\" data-secret=\"BFCDw94wG8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Por Marta Sof\u00eda L\u00f3pez Rodr\u00edguez Me llamo Marta Sof\u00eda L\u00f3pez, pero todo el mundo me conoce como Ch\u00edan. Ense\u00f1o literaturas varias y estudios postcoloniales en el Departamento de Filolog\u00eda Moderna de la ULE. Aunque mi tesis doctoral fue sobre la metaficci\u00f3n historiogr\u00e1fica en las literaturas en lengua inglesa, soy m\u00e1s conocida por mis trabajos sobre [&hellip;]","thumbnail_url":"https:\/\/bibliotecas.unileon.es\/tULEctura\/files\/2019\/02\/155264_114856058580513_925715_n.jpg","thumbnail_width":640,"thumbnail_height":480}